No. 34 (2020): Image and Text

View No. 34 (2020): Image and Text

Visit the Image and Text website:

http://www.imageandtext.up.ac.za/imageandtext/issue/view/21

Published: 2021-02-01

Articles

Extreme apartheid: the South African system of migrant labour and its hostels

Christo Vosloo
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Embedded participation in the architectural curriculum towards engendering urban citizenship in graduates

Carin Combrinck, Rienie Venter
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Remembering the Pass – Exploring curatorial reenactment in PASS-AGES: References & Footnotes

Jayne Crawshay-Hall
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The Big Druid’s photographs of trees: Art and knowledge

Suzanne de Villiers-Human
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Ellen Ripley, Sarah Connor, and Kathryn Janeway: The subversive politics of action heroines in 1980s and 1990s film and television

Janine Engelbrecht
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Anthropocene terror in two girl-centred narratives: The leitmotifs of mythological time, colonisation and monstrosity in the films Whale Rider and Moana

Belinda du Plooy
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The march continues: A critique of The Long March to Freedom statue collection exhibited in Century City

Marnell Kirsten
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Hearing the pain of others: Engineering affect and empathy through the soundscapes of This Song is For ... (2019) and Love Story (2017)

Jenni Lauwrens
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Book Reviews

Educating citizen designers in South Africa

Audrey G. Bennett
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Hidden Pretoria

Lize Kriel
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Themed section: Material narratives

Special Section Editorial

Brenda Schmahmann
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Self-representation in the works of Busisiwe Nzama: An analysis of the Frida ‘little travellers’ and more

Khaya Mchunu
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A contemporary Madonna from the Eastern Cape: Female agency in the Keiskamma Art Project’s Rose Altarpiece

Brenda Schmahmann
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The blood-sucker bird: A woven narrative of exploitation and dependency

Philippa Hobbs
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Other stories: Asger Jorn’s and Pierre Wemaëre’s Le Long Voyage, 1959-1960

Ruth Baumeister
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The material of mourning: Paul Emmanuel’s Lost Men as counter-memorials

Karen von Veh
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Stitching and unpicking ambivalence toward womanhood and maternity in works by Ilené Bothma

Irene Bronner
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Quilts: Unfolding personal and public histories in South Africa and the United States

Marsha MacDowell
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Sedition à la mode? The transfiguration of Steve Biko in post-apartheid fashion and décor design

Annemi Conradie
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