‘Sir, will you accept it?’ Initial user experiences with AI in a university drawing course

The impact of AI on art and design - Original Research

Authors

  • Ebenezer Kow Abraham University of Education, Winneba image/svg+xml
  • Dr. Theophilus Kwesi Mensah UEW, Winneba
  • Edward Baani Buxton

DOI:

https://doi.org/10.17159/2617-3255/2026/n40a11

Keywords:

art education, artificial intelligence, drawing pedagogy, Human-AI collaboration, User experiences, digital drawing, art pedagogy, creative legitimacy, expanded drawing, technology integration

Abstract

This article investigates the negotiation of artistic and evaluative legitimacy following the introduction of generative artificial intelligence (gAI) tools in a university-level drawing course. By examining the lived experiences of ten art education students and three lecturers at the University of Education, Winneba (UEW), the article explores shifts in teaching and learning dynamics that emerge when traditional drawing practices are challenged. Data triangulation, incorporating student artist statements, gAI-generated drawings, and reflective interviews, informed a thematic analysis. This process revealed three distinct student user categories: the “AI purist”, motivated by technical limitations; the “hybrid artist”, seeking creative control; and the “tech-traditionalist”, utilising AI for ideation while maintaining manual execution. The findings indicate that students, often driven by perceived inadequacies in traditional techniques, employed gAI as a creative scaffold, promoting new cognitive processes. The article clarifies the lecturers’ crucial role in validating artistic agency and framing human-AI collaboration, thereby directly addressing student apprehension regarding the ‘acceptability’ of their work. Ultimately, we reposition drawing as an evolving cognitive practice defined by a dynamic negotiation between digital innovation and traditional craft.

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Published

2026-09-11

Issue

Section

Special Section I